Monday, July 2, 2012

'Sparkle' Official Track Listing Features Whitney Houston's Last Recordings, 7 Songs by Jordin Sparks

The movie's soundtrack, due out July 31, includes the singles "Celebrate," a duet produced by R. Kelly, and gospel hymn "His Eye is on the Sparrow," sung by the late R&B star. 

 Sparkle soundtrack cover P

With the late Whitney Houston’s final film appearance set for an August 17 opening, today RCA Records announces the track listing for the Sparkle soundtrack, due out July 31.
The 11-song album features two recordings by Houston, the gospel hymn “His Eye is On the Sparrow,” produced by Harvey Mason, Jr. and “Celebrate,” a duet with co-star Jordin Sparks, produced by R. Kelly. Both are being released as singles.

Cee Lo Green also makes an appearance on the compilation -- and in the film -- with the opening track “I’m A Man.” Sparks, who won American Idol season 6, can be heard on six songs. 
A remake of the 1976 movie of the same name, Spakle's stars Houston as the mother of three daughters in a singing group. Directed by Salim Akil (Jumping The Broom, Soul Food), the film finished shooting in November 2011 and was expected to mark a career comeback for the R&B superstar. But Houston was found dead nearly three months later after accidentally drowning in her bathtub at the Beverly Hilton Hotel. Cocaine and heart disease were reported to be contributing factors.

See the track listing for Sparkle: The Original Motion Picture Soundtrack and listen to “Celebrate” below:
1. I’m A Man – CeeLo Green
2. Yes I Do – Carmen Ejogo
3. Running – Goapele
4. Jump – Carmen Ejogo, Tika Sumpter & Jordin Sparks
5. Hooked – On Your Love Carmen Ejogo, Tika Sumpter & Jordin Sparks
6. Something He Can Feel – Carmen Ejogo, Tika Sumpter & Jordin Sparks
7. His Eye Is On The Sparrow – Whitney Houston
8. Look Into Your Heart – Jordin Sparks
9. One Wing – Jordin Sparks
10. Love Will – Jordin Sparks
11. Celebrate – Whitney Houston & Jordin Sparks

U2 Bassist's Adam Clayton's Ex-Assistant Found Guilty of Embezzling $3.5 Million

Carol Hawkins, who worked for the musician for 17 years, has been convicted on 181 counts of theft.

A former assistant for U2's Adam Clayton has been convicted of embezzling about $3.5 million (2.8 million euros) from the bassist, Rolling Stone reports.
Carol Hawkins, who worked for Clayton for 17 years, was found guilty in Dublin on 181 counts of theft from 2004 to 2008, during which she had been a signatory on two of Clayton's bank accounts and wrote checks to her personal account. Among her splashiest purchases: 22 horses, luxury vacations and a Volkwagen Golf.

In 2008, Hawkins confessed to spending between $16,300 and $18,000 (13,000-15,000 euros) of Clayton's money to see her kids in the U.S. and London. She has been released on bail and will be sentenced Friday.

Justin Bieber Graduates High School in Native Ontario

The 18-year-old did not attend the commencement ceremony, but his name was included in the program for the St. Michael Catholic Secondary School.

Justin Bieber Believe PR Headshot - P 2012The 18-year-old quietly finished all of his required coursework to become an official member of the class of 2012 at St. Michael Catholic Secondary School in his native Stratford, Ontario. Though Bieber was not on hand for the commencement ceremony, Canadian news service QMI reports, his name was featured in the program. 


“We are very proud of Justin and all the other 192 graduates of St. Michael school, however, we’re not at liberty to discuss any personal plans or information about Justin or any other graduate,” principal Tim Doherty told QMI.

While his classmates head off to college and into the work force, Justin’s next step will include another trek across the U.S. and Canada to promote his newly released album, Believe. Bieber’s North American tour kicks off Sept. 29 and has him stopping at venues including the Staples Center in Los Angeles, Madison Square Garden in New York and Rogers Centre in Toronto, Ontario.

On Monday, instead of addressing his latest accomplishment, Bieber teased his Twitter followers with news of newly added Believe tour dates, which will take the pop star across the globe.

“I guess if it happened quietly it’s because Justin chose to keep aspects of his education quiet,” said superintendent Dan Parr.

Bieber reportedly finished his required courses through e-learning, though the specific classes he took remains classified. St. Michael requires students to complete 30 credits, including 16 mandatory courses, in order to graduate.

Big' Jon Platt Exiting EMI Music Publishing After 17 Years

The beloved executive, who has discovered hits for the likes of Kanye West, Jay-Z, Diddy and Drake.

The impending EMI-Sony/ATV merger may have seen its first casualty of sorts. “Big” Jon Platt, president of EMI Music Publishing, is leaving the company after 17 years, a source close to the situation tells The Hollywood Reporter.
According to Billboard.biz, Platt made the announcement to his staff on Tuesday afternoon. His last day will be Friday, when EMI Publishing will be handed the ASCAP Rhythm & Soul Award for Publisher of the Year for the 18th year in a row.

Over the years, Platt has signed Kanye West, Jay-Z, Diddy, Beyonce, Drake, Usher, Ludacris and many others to the company. He is described by those who work under him as “beloved” and “adored” -- two traits that were evident during Platt’s annual (for the most part) confab of EMI’s songwriters at Beverly Hills’ SLS Hotel in April.


Out of the same conference a few years earlier emerged the hit collaboration “Empire State of Mind” by Jay-Z (a longtime pal of Platt’s) and Alicia Keys, written by EMI’s Angela Hunte and J’net Sewell. This year’s event, combining urban, pop and country writers, drew over 200 participants from EMI’s roster, as well as every major label and several high-profile imprints, including Rostrum Records (home to Wiz Khalifa and Mac Miller) and Syco (Simon Cowell's label for artists disovered via TV properties like X Factor and Got Talent).

Speaking to THR on April 16, Platt said, "Great things can happen when you put that many creative people together in a room. They talk a language we don't talk." Addressing his own staff that day, he reminded the dozen EMI Publishing executives assembled that, "At one point, every superstar artist was a new artist that A&R was trying to get people to believe in."
The news comes after months of speculation as to whether Platt would join his former boss Martin Bandier at Sony/ATV when the publishing giant, along with a consortium of investors (including the estate of Michael Jackson and industry veteran David Geffen), merges with EMI (pending regulatory approval; EMI's recorded units will be split off and sold to Universal), but one source hints that Platt has already been there, done that.
Others say he may land a dual label/publisher role at Warner Music Group, much like Ethiopia Habtemariam did when she was appointed vp/head of urban music for Universal Music Publishing Group and senior vp of the Motown Records label (worth noting: current EMI CEO Roger Faxon, who recently told a senate subcomittee probing anti-trust claims regarding the proposed merger that he'll be out of a job once the deal goes through, is also rumored to be headed for Warners).   

From the Desk Of...

If becoming a social media marketer makes you wonder where to begin, here are 5 things you should do on Facebook for your company:

1)      Create a professional company page
A company page is different than a simple profile page. Your company’s Facebook presence should include a custom welcome page that visitors land on when they first visit rather than the Facebook wall page. The welcome page should specifically be designed to generate interest in your business, and motivate your page visitor to become a fan. Be sure you update your page content on a regular basis, just as you would with a retail store location. Keep it fresh by adding new photos, testimonials, or other news and information about your business as it grows.

2)     Generate clients
Once you have a page for your business, the next step is to build your client base. There are many ways to do this, but the most effective one is to advertise your new social media presence to your existing network of friends, colleagues, and most importantly, customers. If you have a physical location, put up signs in your shop, add your Facebook page URL to your business cards and other marketing materials, and encourage others to spread the word. Conducting an email campaign to your customer base is another great way to build your fan base.

3)     Communicate with your fans
Unlike fine wine, Facebook posts don’t improve with age. Be sure to keep your fans interested with a regular stream of status updates, contests, and other engaging activities. If you don’t want to spend money on contests or incentives, consider sharing exclusive information, creating a poll using Facebook Questions or providing other information that would be of value to your fans. A top reason why people become a fan of a page is because they’re already a customer and want to support your business. Use this already-established good will as a way to reward this loyal group and let them know how much they’re appreciated.

4)     Take full advantage of social word-of-mouth
Use your status updates and page to inspire your customers and fans to share your page with their network of Facebook friends. Create fun and easy content to generate buzz. Get creative by using simple, free resources like Facebook Questions to create a poll. Promoting a specific cause on your page, called cause marketing, is a great way to get fans interested, and also support the causes important to you and your business. If you’re using this type of marketing, be sure that your cause has an obvious relationship to what you do at your business to ensure that it is effective. For example, a local veterinarian may promote the local Humane Society or a pet rescue organization.

5)     Stay involved
Before you even begin to contemplate a Facebook presence for your company, you have to be clear that it isn’t something you can put on autopilot. Social marketing is not a misnomer; it actually requires you to be social! Be sure that you are willing to invest the time and resources necessary to make your business successful in social media. If you follow these basic steps, you can watch your online community grow.
In today’s economy, small businesses need to be highly adaptable, and proficient at change. These same skills translate well into being a social marketer. But for those small businesses that lack the time, technical knowledge, or skill to build a professional and effective Facebook presence, working with an experienced professional one-on-one can help.

Insight for Independent Artists

THE BUSINESS OF AN ARTIST 

By Kamal Jabbar www.palacemusicgroup.com  

Not enough artist realize that their band is a business. Some band members may be familiar with business practices, but my experience has been that most are not. Therefore, this column will address what to do when you start a business.

The very first thing a band should do is get a business license from the county they live in. A business license is also called a "fictitious name certificate" or a "doing business as" (d/b/a) license. What this certificate does is tells the world that X,Y & Z are doing business using the name "The Band" and where their business address is located. The procedure for obtaining a d/b/a license is through the County Clerk. They will require an application and a small fee. Generally, another legal requirement is that you publish your application in a newspaper for 3 weeks. Most newspapers do this in their legal classified sections. The newspaper will publish your d/b/a license and it will read something like this: "LEGAL NOTICE: X,Y & Z are doing business as "The Band" with principle place of business at 42nd N. East St. Sacramento." The newspaper will take care of the rest and you will soon receive your business license. The main reason you need this license is to open a checking account in the band's name.

The next thing you should do is get a tax ID number for the band. I realize that very few bands pay taxes on what they earn. I am not sanctioning not paying, but this is the procedure for doing it the legal (and correct) way. You need to file form SS-4 which can be obtained by calling 1-800-829-3676. Fill out the form and mail it to the IRS regional office for your area.

Once you have a tax number, you should keep track of all the income the band earns. More importantly, you should keep track of all the band's expenses. This includes everything from promotion costs (flyers, 8x10's, etc.) to equipment (guitars, amps, PA's, etc.) to tour expenses (gas, meals, etc.). All of these are tax deductions. Taxes can be complicated so you may want to see an accountant. Don't worry, even the accountant's charge is deductible, as is a lawyer's incidentally. The IRS also puts out a great, though lengthy, tax guide. When requesting your SS-4 form, also request Publication 334, "Tax Guide for Small Businesses." Anything you ever wanted to know, or not know, is contained in this guide.

Another tax issue bands should be familiar with is sales tax. I have yet to encounter a band who is aware that they were supposed to pay California sales tax when they sold tapes, CD's and tee shirts. Sales tax is what you pay when you buy something tangible, whether it is a pack of gum or a new car. Procedures vary from state to state so you should contact your Department of Revenue or Taxation for more information on sales tax.

I also recommend artist consider taking out insurance. You can buy insurance for anything. For example, sports teams often take insurance out on their star's physical ability. Consider insuring your equipment. If it gets stolen or damaged, the proper insurance policy may go a long way toward getting the band playing again. Also make sure whoever drives the band has auto insurance. Once again, insurance is deductible as a business expense.

Self Promotion


Unless you have major label money behind you, the ability to self promote your music is one of the most important skills you can have. When you don't have money to hire PR people to run media campaigns for you, it is up to you to make sure people know about the music you are making. Getting started can be a little overwhelming, however. These steps will help you start out on the right foot, to make sure all of the right people are standing up and taking notice of you.

Time Required: OngoingHere's How:Identify Your Goals - When you set out to promote your music, don't try to cover too much ground at once. Look at the way larger artists are promoted - they have specific campaigns that promote specific things, like a new album or a tour. Choose one thing to promote, like:

A single
A show
A website

Once you know what to promote, you will be able to make clear goals for yourself, i.e. if you want to promote your website, then your goal is to bring traffic to the site. With these goals in mind, you'll find it easier to come up with promotion ideas, and you'll be better able to judge the success of your promotions.

Target the Right Audience - With your promotional goal in mind, figure out who the right audience for your campaign is. If you have a gig coming up, then the right audience for your promotion are the local print publications and radio stations in the town in which your show is happening. If you have a limited edition single coming out, your primary audience is your band mailing list, plus the media. Going for the right audience is especially important if you're on a budget. Don't waste time and money letting town X knowing about an upcoming show in town Y or a folk magazine about your new hip hop album.

Have a Promo Package - Just like when you send a demo to a label , to self promote your music, you need a good promo package. Your package should have:

A press release detailing your newsA short (one page) band bioA CD (a demo recording is ok, or an advance copy of an upcoming release)A package of any press coverage you have had so far - press coverage begets press coverage

Your contact information (make sure to include an email address - people may hesitate to call you)

A color photo, or a link to a site where a photo can be downloaded. The press is more likely to run a photo if they don't have to chase it.

Find Your Niche - The sad truth is, every writer, radio station, website, or fan for that matter, you are trying to reach is likely being bombarded with info from other music hopefuls. You a reason to stand out. Try to find something that will make people more curious about you - give them a reason to want to know more. Being elusive worked wonders for Belle & Sebastian at the start of their career and people write about Marilyn Manson for being, well, Marilyn Manson. You don't have to devise a huge, calculated persona, but giving people a reason to check out your show or your CD before the others can only help.

Bribe 'Em - Another way to stand out from the crowd is plain old free stuff. Even press people and label bosses love getting something for nothing, and you'll whip your fans into a frenzy (and get new fans) by giving stuff away. Some ideas:

Put some money behind the bar at a show and give free drink passes to all the industry people who come to check you out.

Give people on your mailing list an exclusive download once a month (be it a new song or an alternate version of a song)

At gigs, raffle (for free) mix CDs made by the band - everyone who signs up to your mailing list at the show gets entered in the drawing.

Branding - Get your name out there. Make up some stickers, badges, posters, lighters or anything else you can think of that include your band's name. Then, leave the stuff anywhere you can. Pass them out at your favorite clubs, leave them on the record shop counter, poster the light posts - go for it. Soon, your name will be familiar to people even if they don't know why, and when they see your name in the paper advertising an upcoming show, they'll think "hey...I know that name, I wonder what that's all about.."

Keep Track of Your Contacts - As you go through all of these steps, chances are that you are going to pick up a lot of new contacts along the way. Some of these contacts will be industry people and some will be fans. Never lose track of a contact. Keep a database on your computer for the industry people you have met and another database of fan contacts. These databases should be your first port of call for your next promotional campaign - and these databases should always be growing. Don't write anyone off, even if you don't get much feedback from them. You never know who is going to give you the break you need.

Tips:Know When to Act Small - This step ties in with targeting the right audience and identifying your goals - you can save a lot of time spinning your wheels by keeping the small stuff small. While it's always useful to keep other people up to date with what's happening in your career, that guy from Rolling Stone doesn't really need to know every time your band is playing a half hour set at the local club, especially if the local press really hasn't given you much coverage yet. When you're getting started, the easiest place to start a buzz is your local area. Build up the small stuff to get to the bigger stuff.

But Know When to Act Large - Sometimes, a larger campaign really is in order. Go full speed ahead when you have something big brewing, like:

A new albumA tourAn important piece of news, like an award or a new record dealThis kind of news warrants contacting both the media and people you want to work with, like labels, agents, managers and so on.Find the RIGHT Niche - As mentioned, finding your niche is helpful in getting noticed. There is one caveat however - make sure you get noticed for the right reasons. You certainly will get some attention for bad, unprofessional behavior, but the problem is that your music won't be what everyone is talking about - and isn't that what you really want to be recognized for? Don't do yourself the disservice of self promoting a bad rep for yourself. Make sure you get noticed for your talent instead.

Also, don't be fake. If you're not sure what your niche is yet, don't push it. Stay true to yourself and your music.

Grow your Database - In addition to keeping tracks of the contacts you have, don't be afraid to help your database grow by adding some "dream" contacts to your list. Is there an agent you want to take notice of you? Then include them on your press release mailing list or promo mailing list when you have big news to share. Let them know you're still working and still building your career - pretty soon, they may be knocking on your door.

Take a Deep Breath - For many people, the idea of self promoting their music to their fans is easy, but the idea of calling up the press is downright terrifying. Relax. Here's the truth - some people you call will be nice, some people won't be. Some people will never return your calls or emails. Some will. You shouldn't take any of it personally. You definitely shouldn't be afraid to try. Covering bands is the job of the music media - they expect to hear from you. Don't be discouraged by someone who is rude, or someone who is polite, but still says "no". Don't write them off, either. Next time, you may hear "yes."