Author Royce Mathew takes credit for pirates transforming into
living skeletons under the moonlight -- and says the studio fooled him
during a lawsuit last decade.
"Pirates of the Caribbean: At World's End."
Royce Mathew, a Florida-based author of supernatural
adventure stories, is looking to shine the light on alleged pirating
going on at The Walt Disney Company.
He's filed a copyright infringement lawsuit (read the complaint here) that alleges that his work was taken for the lucrative Pirates of the Caribbean
films. To succeed in his goal of extracting billions of dollars for the
claimed infringements, Mathew will not only have to pass the tough
legal test of demonstrating that the movies were substantially similar
to his own work, but also that he has brought a timely lawsuit that
isn't barred by a previous settlement agreement he made with Disney.
This isn't, after all, the first time that Mathew has sued.
About a decade ago, after seeing the first film that starred Johnny Depp, Mathew began contacting various lawyers and took an advertisement out in Variety
looking for someone to represent him. Without much success, Mathew
filed a lawsuit against Disney in 2005 on his own behalf. Eventually,
Mathew was able to retain an attorney, and during the initial case,
Mathew and Disney are said to have engaged in the discovery process with
each other.
Mathew says he provided evidence that his work was taken. In turn, Disney maintained that Pirates of the Caribbean was "independently created," which if true, meant that Mathew had no shot at prevailing on his copyright claim.
In particular, Mathew's new lawsuit says that Disney affirmatively
represented that it had independently created "the unique supernatural
elements in the POC Movie Franchise that involves pirates transforming
and turning into living skeletons under the moonlight due to a hideous
curse affecting them."
During the initial lawsuit, Disney published a book about the
transformation of a theme park ride to a hit movie and credited theme
park artist Marc Davis with some of the essential elements. Disney produced some of Davis' "never-before-published" theme park artwork in discovery.
Mathew says he relied upon this representation, as well as the
depositions of others at Disney, in backing off from his copyright
claims in 2007 and signing a release form.
Now, six years later, Mathew is again suing, saying that Disney "used
false and fraudulent evidence to procure a settlement." As evidence for
this, the plaintiff points to a book that was later published in 2009
that allegedly depicted the same scene from Davis' art, this time
attributed to another artist named Collin Campbell. The
published work also is said to be evidence that Disney had "altered and
tampered" with the artwork for the purpose of creating the illusion
that it had independently created the element of pirates transforming
into living skeletons under the moonlight.
Whether or not that's true, Mathew figures to have to show that his
own work was protectable expression -- rather than just an idea -- and
that Disney created something substantially similar. But first, Mathew
will probably have to convince a judge that his claims aren't barred by
the statute of limitations and also that his claims aren't precluded by
any release form he signed back in 2007.
On the latter point, his new attorney Michael Wolk
anticipates such an obstacle, saying in the lawsuit that because the
release agreement was "fraudulently procured," it necessitates
rescission, and that "even if the Fraudulently Procured Release
Agreement is not rescinded, then the Plaintiff still retains, and the
Plaintiff is entitled to enforce, his independently viable copyright
infringement claims against the Defendants based upon conduct taking
place after May-June 2007."
He's suing Disney, Buena Vista, Jerry Bruckheimer and others involved in the film.
Disney has yet to comment.
E-mail: eriq.gardner@thr.com; Twitter: @eriqgardner
