With 1993's The Chronic, he married breezy funk samples to hardcore imagery, creating the G-Funk style and inspiring a host of imitators. He would later discover and nurture some of the best rappers ever, including Snoop Dogg, Eminem, and 50 Cent.
Born to a 16-year-old mother, Andre Young was frequently moved from
school to school to avoid the gang violence endemic to his native South
Central L.A. Young showed little interest in school, but rather than
turning to gangs—as many of his peers did—the tall, lanky teen turned to
music, frequently local hip-hop clubs, performing as a DJ, and
eventually forming the electro-hop World Class Wrecking Cru in 1984 at
the age of 19.
In 1986, Young met O'Shea "Ice Cube" Jackson, a passionate devotee of
early L.A. rap and aspiring rhyme-writer. The pair began writing lyrics
for Eric "Eazy-E" Wright, a former drug dealer who started Ruthless
Records with his profits. The trio eventually formed the nucleus of
N.W.A. (Niggaz With Attitude), which brought harrowing, often
exaggerated, tales of street violence to mainstream America, selling
millions of records and transforming the hip-hop genre forever.
N.W.A's second album, 1989's Straight Outta Compton sold
750,000 copies, and launched a media storm over the controversial "Fuck
tha Police," resulting in a "warning letter" from the FBI to the group's
distributor, Priority Records.
Cube left the group and N.W.A continued recording and selling records
but fell out of critical favor. In June 1991, the group made history
again when, despite strong criticism from politicians and being banned
from some retail chains, EFIL4ZAGGIN ("Niggaz 4 Life" backward) reached Number One two weeks after its release.
Like other N.W.A. members, Dre faced a series of tangles with the law.
In 1991, he was charged with attacking the female host of a television
rap show. He pleaded no contest and paid an out-of-court settlement to
the host. In 1992, Dre was arrested for assaulting record producer Damon
Thomas and later plead guilty to assault on a police officer,
eventually serving house arrest and wearing a police-monitoring ankle
bracelet.
Dre left N.W.A and Ruthless Records in 1992 to co-found Death Row
Records with Marion "Suge" Knight. Eazy-E later claimed in a lawsuit
that Knight had negotiated Dre's exit from Ruthless with the help of
baseball bats and pipes. In 1992, Death Row released it's first single,
"Deep Cover," the theme of a movie of the same name, starring Laurence
Fishburne. Also called "187," the single featuring the debut of the
rapper then called Snoop Doggy Dogg.
Snoop would play a big part in the first album from Dr. Dre and Death Row, 1993's The Chronic.
Snoop, who appeared on nine of the album's 16 cuts, had a lackadaisical
style that meshed perfectly with Dre's funk samples, drawn largely from
Parliament-Funkadelic. Snoop figured prominently in the breakout
single, "Nuthin' But a 'G' Thang," which hit Number Two and was a
fixture on MTV, along with subsequent singles "Fuck wit Dre Day (and
Everybody's Celebratin')" and "Let Me Ride."
The Chronic went triple platinum, appeared on many critics'
year-end Top-10 lists, and earned Dre a Grammy for Best Rap Solo
Performance on "Let Me Ride." Later in the year, Snoop released his solo
debut, DoggyStyle, produced by Dre, which would land at Number
One, sell 4 million copies and spawn Top-10 hits "Who Am I? (What's My
Name)," featuring Dre and Jewell and "Gin and Juice," featuring Daz
Dillinger.
Dre would serve as house producer at Death Row for a few years, producing soundtracks for Above the Rim and Murder Was the Case,
releasing "Keep Their Heads Ringing" (Number 10, 1995) for the Friday
soundtrack, and collaborating with Ice Cube on "Natural Born Killaz"
(Number 95, 1994), and with new Death Row signee Tupac Shakur on
"California Love" (Number One, 1995).
But as details of Suge Knight's corrupt dealings came to like and Dre
became embroiled in a contract dispute, he left Death Row to form
Interscope imprint Aftermath. The first single on the debut Aftermath
LP, Dr. Dre Presents the Aftermath, was "Been There, Done That," a repudiation of the highly publicized West Coast–East Coast hip-hop feud.
Aftermath drifted for a couple years until 1998, when Interscope CEO
Jimmy Iovine suggested Dre sign a Detroit rapper named Eminem. Dre did,
and produced three songs on the white rapper's debut, The Slim Shady LP, including advance single "My Name Is," which reached Number 36 and helped the album debut at Number Two, behind TLC's Fanmail, and went on to sell four million copies in the U.S.
A year later, Dre released his second solo album, 2001, which
featured many of the MCs he produced, including MC Ren, Snoop Dogg,
Xzibit, and Eminem, and landed at Number Two on the chart. Using fewer
samples than The Chronic, the album broadened Dre's sound to
include string arrangements and reggae beats. The album included single
"Still D.R.E., featuring Snoop Dogg" (Number 93) and "Forgot About Dre,"
featuring Eminem (Number 25) and helped Dre win Producer of the Year at
the 2000 Grammys.
Throughout the new decade, Dre has focused mostly on production, producing much of Eminem's subsequent albums, The Marshall Mathers LP and The Eminem Show, as well as Get Rich or Die Tryin' and The Massacre, for 50 Cent, who Eminem signed to his own Shady Records. Dre also produced tracks for Jay-Z, Gwen Stefani, Game, and Raekwon.
No comments:
Post a Comment