Members of the Grateful Dead, Phish, Hold Steady, Vampire Weekend join for five-hour marathon
On Friday night, Grateful Dead guitarist Bob Weir hosted a five-hour celebration entitled Move Me Brightly, in honor of what would have been Jerry Garcia's 70th
birthday. A stirring 30-minute documentary directed by Justin
Kreutzmann, son of Grateful Dead drummer Bill Kreutzmann, kicked off the
proceedings. Then a rotating group of musicians that numbered nearly
20-deep took turns performing in various configurations, under Weir's
stewardship. The event was webcast live from Weir's TRI Studios in San Rafael, California.
Fittingly, Garcia's memory was honored with musical passages
that sounded nothing like the licks Garcia himself would have played,
but which captured his spirit by pushing the source material in new
directions, and unearthing previously undiscovered territory between
their beginnings and endings. As Weir told Rolling Stone during rehearsals, "You find Jerry in the songs. And he's amply there."
In addition to Weir and Grateful Dead singer Donna Jean
Godchaux, the one-time-only group of musicians included Phish's Mike
Gordon, Furthur's Joe Russo and Jeff Chimenti, the Hold Steady's Craig
Finn and Tad Kubler, Vampire Weekend's Chris Tomson, the Yellowbirds'
Sam Cohen and Josh Kaufman, Ryan Adams and the Cardinals' Neal Casal and
Jon Graboff, the Black Crowes' Adam MacDougall and Norah Jones' Jason
Abraham Roberts, as well as singer-songwriters Jim Lauderdale, Jonathan
Wilson, Cass McCombs and Harper Simon.
"If you don't know who some of these people are," Weir told the crowd, "you're in the same boat as me."
That said, fans immediately recognized the unannounced starting
bassist as Phil Lesh. This brought the Grateful Dead member count on
stage up to three for the first two numbers, "The Wheel" and "Cumberland
Blues." As if passing some kind of torch, Lesh then handed the bass
duties over to Phish's Mike Gordon, who quickly established himself as
one of the night's MVPs.
"I've heard Mike Gordon play bass more than anybody else in my
whole life and his playing is just engrained in me," guitarist Jason
Abraham Roberts told Rolling Stone. "To get to
stand beside him and hear him play like that, instead of in front or
listening on headphones, is such a crazy feeling. I actually enjoyed
getting to watch him play in rehearsal as much as I enjoyed playing."
For keyboardist Adam MacDougall, the event was a chance for him
to get up close and personal with the Grateful Dead songbook as much as
it was an opportunity to celebrate Garcia. MacDougall admits that he
wasn't the biggest Deadhead growing up, but he got hooked more recently
during tours with the Chris Robinson Brotherhood. Robinson plays "a lot"
of Grateful Dead on the tour bus.
"Doing this event really gets you inside the music with the
people who really started it, the mindset of the cats that were there,"
MacDougall told Rolling Stone. "That really helps you to get 'in it' instead of just playing it. You really get to understand it from the inside out."
Joe Russo has had that exact perspective for the past few years
as the drummer in the Grateful Dead spinoff band, Furthur. "Jerry
Garcia was a total man of his own who just recreated an instrument in
his vision, in his voice," Russo told Rolling Stone.
"It's just so cool to see the reach of this music so far outside its
genre, and the influence. Everybody's approach to it is just very fresh
and different. I think people are respecting the original recordings and
original arrangements, but putting their own contemporary spin on it,
coming from a completely different place – these guys aren't jam band
guys that ended up playing Grateful Dead songs."
Even Weir was willingly taken out of his comfort zone several times
throughout the proceedings, as the marathon set focused on Garcia's show
pieces – some of which were pulled from his solo bands ("Don't Let Go")
while others were his signature tunes in the Dead proper ("Terrapin
Station").
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