Monday, June 10, 2013

Papoose Can't Get Over Summer Jam Backlash

Brooklyn rapper Papoose is having a hard time getting over the backlash he received from last weekend's unexpected Hot 97 Summer Jam concert appearance and is letting his thoughts run wild. 
 
Along with continuing to build off his self-made hype, Pap admitted fans probably expected a high-profile rapper like Jay-Z would have graced last Sunday's annual concert stage.
"See a opportunity u take it #summerjam #getatme," Pap tweeted June 8th.
"Any upcoming concerts? looking 4 something to bumrush? #summerjam #getatme"
"N*ggas thought jz was coming out with Kendrick instead they got me #surprise hahahahah lmfao #getatme #summerjam" (Papoose's Twitter)
Over the weekend, Pap released a new freestyle over Jay-Z's "Open Letter" beat to discuss the Hot 97 incident
"I hijacked the stage with no hammer/ I did it right infront of the camera. Shades. Waving a bandana," the Brooklyn rapper begins. "...Industry never did sh*t for me, except hated on me and pull trickery/ They don't want to let a n*gga shine/ Fine, I'll take another artist's time." His freestyle is both narrative and has something for the haters. "I don't care what you all tweet," Papoose continues. "You making me a trending topic you, f*cking geek/ Stepped on the stage with Barkleys on my feet. Started going in as soon as I heard the beat. Kendrick said Pap, 'You gonna give me beef. You don't need this sh*t anyway come chill with me in the streets." (VIBE)
Buzz stirred across the Internet earlier this month over him allegedly stealing the shine by bum-rushing Summer Jam XX.

 SNEAK PEAK
While everyone that was set up and scheduled to perform at Hot 97's Summer Jam XX did their thing. New York City's own, Papoose, decided to take things into his own hands as he rushed the stage for an impromptu performance. Pap quickly ran onto the stage, grabbed the mic, and ran through his track "Get At Me" for the crowd as the show closed out. (Stupid Dope)
Hot 97 program director Ebro addressed what took place following Pap's performance.
Shortly after Summer Jam ended, Hot 97's program director and morning show co-host Ebro Darden took to Twitter to react to the situation. Ebro claimed that Pap had not been expected to perform at Summer Jam, and implied that the Brooklyn rapper had snuck onto the stage. Obviously not pleased by this assessment, Pap responded to the claims, tweeting at Ebro and stating that the Hot 97 head honcho knew very well of this performance. (Complex)
Some clarity on what really went down surfaced the next day.
Upset about the comments, the rapper responded at Ebro (also via Twitter @PapooseOnline), stating that he well aware of the performance. But, they continued to argue... with no conclusion on the matter. Monday morning (June 3), during Hot 97's "The Realness," the situation was somewhat cleared up with Peter Rosenberg explaining that, before the show, he got a call from Kendrick Lamar's people, who told him they would be bringing out Papoose. Supposedly, Rosenberg didn't tell Ebro, which is where the confusion came in. (Baller Status)

Livia Tortella Leaves Warner Bros. Records

Tortella came to the label as part of a three-executive team that in September 2010 replaced Tom Whalley.

Livia Tortella
Warner Bros. Records co-president and chief operating officer Livia Tortella has left the label, almost six months to the day after Todd Moscowitz stepped down as co-president and CEO.
With her departure, the Warner Bros. Records management team is now Cameron Strang, who holds the title of chairman/CEO for the label as well as Warner/Chappell, and chairman Rob Cavallo.

COMING SOON:

"So much has happened since moving out west two years ago," Tortella wrote in an e-mail to staffers obtained by Billboard. “We have signed and developed some amazing future superstars. This has been one of the most unique and special adventures of my life and I’ve treasured every moment professionally and personally... I’m so proud of what we’ve achieved together and confident that we’ve set the stage for even more great music that will continue this company’s legacy for many years."

Tortella came to Warner Bros. as part of the team that in September 2010 replaced Tom Whalley, who ran the label for about 10 years. She was No. 10 on Billboard's 2012 Women in Music list.

After thanking Tortella for her contribution to WBR, Strang, in a note sent to staffers that was also obtained by Billboard, said the department heads who reported to her will now report to him.

SNEAK PEEK:
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"Rob and I look forward to working even more closely with you all, and we know that transitions such as these are made possible by the depth and breadth of talent we have at WBR," he wrote. “As WBR’s Chairman & CEO, my goal is straightforward: I am determined to see our artists, employees and company flourish. Our collective priorities are just as clear: find and nurture extraordinary talent, build the careers of our superstars, and augment the range of services we provide our artists. That’s simple to say, but we’re all aware of how much energy, creativity and hard work go into our achievements. Equally, I know many of you share my opinion that there is still much to accomplish."

He noted that the label has some amazing new signings, "adding to our existing expertise and aggressively innovating on behalf of our artists. Together, by putting the music first, we will grow WBR’s world-class reputation and lead our industry forward."

Warner Bros. label share in 2013 through June 2 is 3.94 percent.

**** Livia has facilitated the launch of several label ventures, including Fueled By Ramen, Photofinish, Chop Shop Records, and more recently the legendary Elektra Records label. 

Livia began her career in 1989 at PolyGram Canada in A&R, and then continued as a product manager for artists on numerous labels. After spending five years at Island Def Jam Music Group she joined Atlantic Records in 2004, where as a member of Atlantic's senior management team she played a key role in Atlantic's achieving the No.1 market share position in the US in calendar years 2008 and 2009. 

© 2013 PMG Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.

Cicely Tyson wins best actress in a play at Tony Awards


Cicely Tyson's bountiful career

Cicely Tyson, who returned to Broadway this season for the first time in 30 years, took home the Tony Award for best leading actress in a play on Sunday night in New York.

In Horton Foote's "The Trip to Bountiful," Tyson plays a widow in 1953 whose only desire is to revisit her old home in Bountiful and recapture purpose she lost when she left for Houston.


Tyson beat out Laurie Metcalf, Amy Morton, Kristine Nielsen and Holland Taylor. She gave a long acceptance speech and was cut off by music. "'Please wrap it up,' it says," Tyson said, referring to the teleprompter. "Well, that's exactly what you did with me: You wrapped me up in your arms after 30 years."

Tyson was nominated for an Oscar for her role in "Sounder" in 1972. Other film credits include "Fried Green Tomatoes," ''Bustin' Loose" and "Jefferson in Paris."

She won Emmys for "The Autobiography of Miss Jane Pittman" and "Oldest Living Confederate Widow Tells All." She was also nominated for her role in the miniseries "Roots."


© 2013 PMG Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.

UPDATED: Hollywood and Broadway converge at Sunday's ceremony honoring excellence in theater, with A-list rookie Tom Hanks up for an acting award opposite veterans Tracy Letts and Nathan Lane.

It's curtains for the 67th annual Tony Awards, honoring the best of Broadway and a smattering of boldfaced names, from Tom Hanks to Cyndi Lauper to the late Nora Ephron.
Hanks, widely predicted to win his first Tony as best lead actor in Ephron's play Lucky Guy, was trounced in the category by the venerable Tracy Letts, who snagged the trophy for the revival of Who’s Afraid of Virginia Woolf?

Meanwhile, Lauper's Kinky Boots took home the prize for best musical, with Lauper also winning best score for composing the music & lyrics.

Cicely Tyson landed a best-actress Tony for her role in the play revival The Trip to Bountiful; Judith Light prevailed as best featured actress in the production The Assembled Parties; and Courtney B. Vance won for his featured part in Lucky Guy.  

Neil Patrick Harris emceed Sunday's ceremony, which aired live on CBS from Radio City Music Hall. 

(See: http://shop.palacemusicgroup.com.previewdns.com/.)

A complete list of winners follows (winners' names are in red and marked with an asterisk):

BEST PLAY
"The Assembled Parties" by Richard Greenberg
"Lucky Guy" by Nora Ephron
"The Testament of Mary" by Colm Toibin
*"Vanya and Sonia and Masha and Spike" by Christopher Durang


BEST MUSICAL
"Bring It On, The Musical"
"A Christmas Story, The Musical"
*"Kinky Boots, The Musical"
"Matilda, The Musical"

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BEST BOOK OF A MUSICAL
"A Christmas Story, The Musical" Joseph Robinette
"Kinky Boots" Harvey Fierstein
*"Matilda, The Musical" Dennis Kelly
Rodgers + Hammerstein's Cinderella" Douglas Carter Beane


BEST REVIVAL OF A PLAY
"Golden Boy" Producers: Lincoln Center Theater, André Bishop, Bernard Gersten
"Orphans"
"The Trip to Bountiful"
*"Who’s Afraid of Virginia Woolf?"


BEST REVIVAL OF A MUSICAL
"Annie"
'The Mystery of Edwin Drood'
*"Pippin"
"Rodgers + Hammerstein’s Cinderella"


BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATRE
"A Christmas Story, The Musical" Music and Lyrics: Benj Pasek and Justin Paul
"Hands on a Hardbody" Music: Trey Anastasio and Amanda Green Lyrics: Amanda Green
*"Kinky Boots" Music & Lyrics: Cyndi Lauper
"Matilda The Musical" Music & Lyrics: Tim Minchin


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BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY
Tom Hanks, "Lucky Guy"
Nathan Lane, "The Nance"
*Tracy Letts, "Who’s Afraid of Virginia Woolf?"
David Hyde Pierce, "Vanya and Sonia and Masha and Spike"
Tom Sturridge, "Orphans"


BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY 
Laurie Metcalf, The Other Place
Amy Morton, "Who’s Afraid of Virginia Woolf?"
Kristine Nielsen, "Vanya and Sonia and Masha and Spike"
Holland Taylor, "Ann"
*Cicely Tyson, "The Trip to Bountiful"


BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL 
Bertie Carvel, "Matilda, The Musical"
Santino Fontana, "Rodgers + Hammerstein’s Cinderella"
Rob McClure, "Chaplin"
*Billy Porter, "Kinky Boots"
Stark Sands, "Kinky Boots"


BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL 
Stephanie J. Block, "The Mystery of Edwin Drood"
Carolee Carmello, "Scandalous"
Valisia LeKae, "Motown The Musical"
*Patina Miller, "Pippin"
Laura Osnes, "Rodgers + Hammerstein’s Cinderella"


BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY 
Danny Burstein, "Golden Boy"
Richard Kind, "The Big Knife"
Billy Magnussen, "Vanya and Sonia and Masha and Spike"
Tony Shalhoub, "Golden Boy"
*Courtney B. Vance, "Lucky Guy"


BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY  
Carrie Coon, "Who's Afraid of Virginia Woolf?"
Shalita Grant, "Vanya and Sonia and Masha and Spike"
Judith Ivey, "The Heiress"
*Judith Light, "The Assembled Parties"
Condola Rashad, "The Trip to Bountiful"


BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL
Charl Brown, "Motown, The Musical"
Keith Carradine, "Hands on a Hardbody"
Will Chase, "The Mystery of Edwin Drood"
*Gabriel Ebert, "Matilda The Musical"
Terrence Mann, "Pippin"


BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL
Annaleigh Ashford, "Kinky Boots"
Victoria Clark, "Rodgers + Hammerstein's Cinderella"
*Andrea Martin, "Pippin"
Keala Settle, "Hands on a Hardbody"
Lauren Ward, "Matilda, The Musical"


 
BEST SCENIC DESIGN OF A PLAY 
*John Lee Beatty, "The Nance"
Santo Loquasto, "The Assembled Parties"
David Rockwell, "Lucky Guy"
Michael Yeargan, "Golden Boy"


BEST SCENIC DESIGN OF A MUSICAL 
*Rob Howell, "Matilda, The Musical"
Anna Louizos, "The Mystery of Edwin Drood"
Scott Pask, "Pippin"
David Rockwell, "Kinky Boots"


BEST COSTUME DESIGN OF A PLAY 
Soutra Gilmour, "Cyrano de Bergerac"
*Ann Roth, "The Nance"
Albert Wolsky, "The Heiress"
Catherine Zuber, "Golden Boy"


BEST COSTUME DESIGN OF A MUSICAL 
Gregg Barnes, "Kinky Boots
Rob Howell, "Matilda, The Musical"
Dominique Lemieux, "Pippin"
*William Ivey Long, "Rodgers + Hammerstein's Cinderella"


BEST LIGHTING DESIGN OF A PLAY 
*Jules Fisher & Peggy Eisenhauer, "Lucky Guy"
Donald Holder, "Golden Boy"
Jennifer Tipton, "The Testament of Mary"
Japhy Weideman, "The Nance"


BEST LIGHTING DESIGN OF A MUSICAL  
Kenneth Posner, "Kinky Boots"
Kenneth Posner, "Pippin"
Kenneth Posner, "Rodgers + Hammerstein’s Cinderella"
*Hugh Vanstone, "Matilda The Musical"


BEST SOUND DESIGN OF A PLAY 
John Gromada, "The Trip to Bountiful"
Mel Mercier, "The Testament of Mary"
*Leon Rothenberg, "The Nance"
Peter John Still and Marc Salzberg, "Golden Boy"


BEST SOUND DESIGN OF A MUSICAL 
Jonathan Deans & Garth Helm, "Pippin"
Peter Hylenski, "Motown The Musical"
*John Shivers, "Kinky Boots"
Nevin Steinberg, "Rodgers + Hammerstein’s Cinderella"


BEST DIRECTION OF A PLAY 
*Pam MacKinnon, "Who's Afraid of Virginia Woolf?"
Nicholas Martin, "Vanya and Sonia and Masha and Spike"
Bartlett Sher, "Golden Boy"
George C. Wolfe, "Lucky Guy"


BEST DIRECTION OF A MUSICAL  
Scott Ellis, "The Mystery of Edwin Drood"
Jerry Mitchell, "Kinky Boots"
*Diane Paulus, "Pippin"
Matthew Warchus, "Matilda, The Musical"


BEST CHOREOGRAPHY 
Andy Blankenbuehler, "Bring It On: The Musical"
Peter Darling, "Matilda, The Musical"
*Jerry Mitchell, "Kinky Boots"
Chet Walker, "Pippin"


BEST ORCHESTRATIONS
Chris Nightingale, "Matilda, The Musical"
*Stephen Oremus, "Kinky Boots"
Ethan Popp & Bryan Crook, "Motown The Musical"
Danny Troob, "Rodgers + Hammerstein’s Cinderella"


RECIPIENTS OF AWARDS AND HONORS IN NON-COMPETITIVE CATEGORIES 
SPECIAL TONY AWARD FOR LIFETIME ACHIEVEMENT IN THE THEATRE 
Bernard Gersten
Paul Libin
Ming Cho Lee


REGIONAL THEATRE AWARD 
Huntington Theatre Company, Boston, MA


ISABELLE STEVENSON AWARD 
Larry Kramer


TONY HONOR FOR EXCELLENCE IN THE THEATRE 
Career Transition For Dancers
William Craver
Peter Lawrence
The Lost Colony
The four actresses who created the title role of "Matilda, The Musical" on Broadway - Sophia
Gennusa, Oona Laurence, Bailey Ryon and Milly Shapiro


Twitter: @ErinLCarlson

Email: erin.carlson@thr.com

Gunplay Comes Clean On Drug Addiction Battles

Maybach Music Group's Gunplay recently opened up about his past issues with drug addiction and admitted the real challenge boiled down to him being willing to say good-bye.
 
GUNPLAY
"I was on cocaine since, like, 10 years, 12 years, something like that. I wasn't junktified where I was stealing stuff and stuff like that, but it was my thing," he said when he appeared on "RapFix Live" on Wednesday. "I have a strong will. I quit cigarettes early this year, cold turkey. Whatever I put my mind to, whatever I wanna do, I'm strong like that. If I wanted to quit smoking refer -- it's nothing." (MTV)
He also delved into what finally made him quit using cocaine.
Gun says his moment of clarity came several years ago and after a bit of self-reflection he decided to leave coke alone. "That happened Memorial [Day] Weekend 2008," he recalled. "I was on the beach, I was just goin' hard and just took my last blast and said, 'Man, I'm tired of my nose hurtin', tired of looking all drawed up." Without the drug, Gunplay said he now sees a difference in his music as well. "The drugs just enhance what you're thinking but when you're sober, you speak from the heart and it's not just rambling on -- it makes sense," he said. "Now you get to analyze every word and every bar and you make sure everything is on time." (MTV)
The MMG member previously delved into his stance toward drugs.
Gunplay May 2013
"I do drugs, I don't let drugs do me so I always had a handle on it," Gunplay explained in an interview. "It was just when I was ready to stop messing with certain things, it got blown up. No drugs, no b*tches can f*ck my business up. Once it starts interfering with my business and I saw it taking a toll on my health, my attitude, my outlook on life, I just said 'I'm tired of this sh*t' and I just quit it altogether. Cold turkey. No rehab, no re -- yeah I did relapse because I went to Colombia for Christ sakes, d*mn [Laughs]. I went over [there] and I relapsed. I said I was gonna relapse, I did it and I came back over here and I haven't touched it since. And I don't plan on touching it." (VIBE)
Gunplay also shared his opinion of drug addicts resorting to rehab to kick their habits.
"People are stupid. The average person is really [...] a baby, they need help," he added. "The f*ck you need help for? They need people to counsel them and baby them. 'Ohh, it's going ot be ok.' Man f*ck that sh*t! Don't put that sh*t up your nose n*gga! It's simple. People crazy out here, dumb. For me, I woke up one morning and said I'm tired of this sh*t. Tired of my nose bleeding, tired of my skin looking crazy, I'm tired, I'm cranky. It was f*cking up my life." (VIBE)
© 2013 PMG Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.  
 
Gunplay - Gunplay-Bible On The Dash mp3

'Kinky Boots,' Scored by Cindi Lauper, Kicks Up 6 Tony Award Wins

The feel-good musical "Kinky Boots," with songs by pop star and Broadway newcomer Cyndi Lauper, won a leading six 2013 Tony Awards on Sunday, including best musical, best score and best leading man.

Christopher Durang's comical "Vanya and Sonia and Masha and Spike" won the best play Tony. "Matilda the Musical" and "Pippin" won four awards and two other shows - "Who's Afraid of Virginia Woolf?" and "The Nance" - shared three awards each.

Lauper, who wrote the hit "Girls Just Want to Have Fun," was part of an impressive group of women who took top honors. Diane Paulus and Pam MacKinnon both won for directing - a rare time women have won directing Tonys for both a musical and a play in the same year. (It also happened most recently at the 1998 Tonys.)

"Kinky Boots" also won for choreography and two technical awards, and Billy Porter won for leading man in a musical.


Porter beat "Kinky Boots" co-star Stark Sands and told him from the stage: "You are my rock, my sword, my shield. Your grace gives me presence. I share this award with you. I'm gonna keep it at my house! But I share it with you."

Durang, whose other works include the play "Beyond Therapy," was a Tony nominee for "A History of the American Film" and his "Miss Witherspoon" was a Pulitzer Prize nominee in 2006.

Paulus won her first Tony for directing the crackling, high-energy revival of the musical "Pippin," which also earned the best revival honor and helped Patina Miller earn a best leading actress trophy. The win caps a whirlwind few years for the Carnegie Mellon University graduate, who was nominated for back-to-back Tonys for her first roles on Broadway.

MacKinnon won for directing the play "Who's Afraid of Virginia Woolf?," a year after earning her first nomination for helming "Clybourne Park." Her revival of Edward Albee's story of marital strife won the best play revival and earned playwright and actor Tracy Letts his first acting Tony, which prompted an upset beating of Tom Hanks.

"The greatest job on Earth. We are the ones who say it to their faces, and we have a unique responsibility," Letts said.

Andrea Martin, 66, who won as featured actress in a musical, plays Pippin's grandmother and sings the music hall favorite "No Time at All," stuns audiences nightly by doing jaw-dropping stunts that would make someone a fraction of her age blanch.

The Tonys were broadcast live by CBS from Radio City Music Hall. Neil Patrick Harris was back for his fourth turn as emcee and leads a show featuring talented children and pulse-pounding musical numbers.
The big, opening number started with Harris simply holding a guitar in a pub like "Once" but quickly morphed into a flashy razzle-dazzle number that showcased performers from almost a dozen musicals - and even ex-boxer Mike Tyson dancing. Harris sang "It's bigger! Tonight it's bigger," jumped through a hoop, vanished from a box and promised a "truly legendary show" before glitter guns went off.

Courtney B. Vance won for best featured actor in a play for portraying a newspaper editor opposite Tom Hanks in "Lucky Guy." He dedicated his award to his mother.

Judith Light won her second featured actress in a play Tony in two years, cementing the former TV star of "One Life to Live" and "Who's the Boss?" as a Broadway star.

She followed up her win last year as a wise-cracking alcoholic aunt in "Other Desert Cities" with the role of a wry mother in "The Assembled Parties," in which she goes from about 53 to 73 over the play's two acts.
"I want to thank every woman that I am in this category nominated with: you have made this a celebration, not a competition," she said.

Gabriel Ebert of "Matilda the Musical" won as best featured actor in a musical. He thanked his four Matildas and his parents, stooping down to speak into the microphone.

Cicely Tyson, 88, won the best leading actress in a play honors for the revival of "The Trip to Bountiful," the show's only award on the night. It was the actress' first time back on Broadway in three decades.

"`Please wrap it up,' it says. Well, that's exactly what you did with me: You wrapped me up in your arms after 30 years," she said.

Lauper and Harvey Fierstein have given "Kinky Boots" - originally a 2005 film about a failing shoe factory that turns to making drag queen boots - a fun score and a touching book that celebrates diversity.
"I want to thank Harvey Fierstein for calling me up. I'm so glad I was done with the dishes and answered the phone," Lauper said.

The import "Matilda the Musical" is a witty, dark musical adaptation of the novel by Roald Dahl that is still running in London. Its leading woman is actually a man - Bertie Carver, who plays the evil headmistress Miss Trunchbull.

Others musicals hoping for awards include the acrobatic "Bring It On: The Musical," the hit-heavy "Motown the Musical" and "A Christmas Story, the Musical," adapted from the beloved holiday movie. Top musical revivals include an updated "Rodgers + Hammerstein's Cinderella" and a cracking revival of "Pippin" with a circus feel.

Some of the telecast highlights included the stunning kids on Broadway - the orphans in "Annie," the actor Raymond Luke Jr. as a pre-teen Michael Jackson in "Motown the Musical," and the dancing tots in "A Christmas Story, the Musical" - especially the young tap dancer wizard Luke Spring - plus the four young women in "Matilda."

Harris got his face licked by the dog playing Sandy in "Annie," made fun of Tyson and Shia LaBeouf, who left a revival of "Orphans" before the show opened and then tweeted about it, and joined with "Smash" star Megan Hilty, "Go On" star Laura Benanti and former "The Book of Mormon" star Andrew Rannells to skewer theater stars who seek fame on TV with a twisted version of "What I Did For Love" from "A Chorus Line."

Kenneth Posner, surprisingly, did not take home the award for best lighting design of a musical.
Of the four shows in the category, Posner had been nominated for three - "Kinky Boots, "Pippin" and "Rodgers + Hammerstein's Cinderella." But he lost to his only competitor, Hugh Vanstone, who designed the lighting for "Matilda the Musical."

Presenters included Jesse Eisenberg, Jon Cryer, Jake Gyllenhaal, Anna Kendrick, Zachary Quinto, Sally Field, Audra McDonald, Alan Cumming and Jesse Tyler Ferguson.

The Tony winners were picked by 868 Tony voters, including members of The Broadway League, American Theatre Wing, Actors' Equity, the Dramatists Guild, Stage Directors and
Choreographers Society as well as critics from the New York Drama Critics Circle.

The awards telecast faced competition for attention on Sunday night from an episode of "Mad Men" on AMC and Game 2 of the NBA finals between San Antonio and Miami on ABC. Last year's telecast was seen by 6 million viewers, down significantly from 2011's 6.9 million.

The awards cap a somewhat grim financial season on Broadway in which the total box office take was flat and the number of ticket buyers slipped 6 percent. Both numbers were blamed in part on Superstorm Sandy, but high ticket prices and the lack of long term audience growth has many worried.

A total of 46 new shows opened during the season, which began last May and ended May 26: 15 musicals, 26 plays and five special events or concerts.

© 2013 PMG Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.

Apple's iRadio is go: Sony licenses service at 11th hour


Apple's iRadio is go: Sony licenses service at 11th hour
Apple is expected to unveil its long-awaited streaming online music discovery platform iRadio tomorrow (Monday, June 10), after signing an 11th hour licensing agreement with Sony's label and publishing companies.

The news follows months of heated negotiations between Apple and Marty Bandier (pictured), the boss of Sony's part-owned publishing company Sony/ATV, which represents songwriters such as Noel Gallagher, Taylor Swift and Lady Gaga, and copyrights for songs by the Beatles, Michael Jackson and the Beach Boys.

Bandier has been seeking a higher percentage of subscription and ad-funded royalties from iRadio. It is believed that he originally played hardball - requesting that Sony/ATV's share of overall revenue accrued from iRadio should rise from 5% to closer to 50% for his company and its songwriter clients.

However, he is understood to have eventually been willing to accept a rise to 10% or 15% as a first step.

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It was revealed last week that Sony/ATV's rival publisher Warner/Chappell had agreed a 10% royalty rate from iRadio advertising revenue with Apple, and it is likely Bandier struck a similar deal soon after.

That figure is at least double the 4-5% royalty the largest publishers currently earn from iRadio rival Pandora, which boasts more than 70m “active listeners”.

Apple is expected to formally announce iRadio at its Worldwide Developers Conference in San Fransisco, US, tomorrow.
 
Traditionally, publishers have only recieved a single digit point royalty from Apple's iTunes download service, with the majority of revenues being collected by music labels - and a third being retained by Apple itself.
Bandier's agreement with Apple left the way clear for record label Sony Music to also sign a licence deal - meaning that Apple now has deals in place with the three major labels and their related publishing divisions/companies.

Speaking to the FT, Bandier paid tribute to Eddy Cue, who oversees Apple’s iTunes store, App store and iBookstore, for his willingness to negotiate.

“He’s someone who’s sensitive to music and musicians. While I can’t say he just rolled over, when it came time to pull the trigger, he did it with grace,” Bandier said, adding that the deal was “a major step forward in recognition of the contribution songwriters make to a hit record," and that he was confident Apple's ad sales team would make a success of the launch.

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The FT reports that Universal Music struck its licensing deal for iRadio in May, securing a one-off payment as well as a royalty of about 12.5 cents per 100 tracks streamed, as well as a share of advertising revenue, and a guaranteed minimum sum over the two-to-three-year deal.

© 2013 PMG Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.