Friday, November 8, 2013

Jay Z Being Sued Over 'Run This Town' Sample

Jay Z has been hit with allegations of illegally sampling on his hit "Run This Town." 


According to the NY Daily News, Hov's monster track, which features Rihanna and Kanye West, samples Eddie Bo's "Hook & Sling" and record label TufAmerica alleges the superstar sampled it without permission.
TufAmerica claims it bought the exclusive rights to “Hook & Sling” in 1996 and now seeks monetary proceeds from Jay's track and damages. The label also wants to make sure further distribution of "Run This Town" is halted because of the illegal sample. The complaint reportedly names Jay Z, Roc-A-Fella Records, LLC, Atlantic Recording Corp. and other companies as defendants.

Apparently, this is the third suit TufAmerica has against Roc-A-Fella in Manhattan federal court. Per the NYDailyNews, the first two lawsuits were settled out of court.

"Run This Town" is from Jay's hit album The Blueprint 3 in 2009.


Tags

Twitter Stocks Slide On Second Day

Twitter's stock slid more than 7 percent on its second trading day Friday, after the popular short messaging service saw a huge first-day pop in what turned out to be a smooth public debut.

Such volatile trading is common for freshly public stocks as investors make decisions with limited insight into how well companies will do in the long run. Although there are a few outliers, most analysts believe the appropriate price range for Twitter's stock is in the $30s and low $40s. The mean target price analysts have set for the stock, according to FactSet, is $40, with targets ranging from $29 to $54.


Wedbush analyst Michael Pachter arrived at his $37 price target by assuming Twitter will double its 230 million monthly users to 460 million over the next five years while increasing the number of times users look at Twitter every day. Pachter estimates Twitter will deliver $3.5 billion in EBITDA - earnings before interest, taxes, depreciation, and amortization - by 2018.

"Twitter is likely in the early innings of its growth," Pachter wrote in a note to investors. "We believe that the majority of the world's 2.4 billion Internet users have great potential to find something or someone on Twitter that they are interested in."
San Francisco-based Twitter's stock fell $3.25, or 7 percent, to $41.65 in trading on Friday despite an uptick in the broader market.

The shares are still up 60 percent from the $26 IPO price Twitter and the IPO's underwriting bankers set Wednesday night. Twitter made $1.8 billion in the offering. On Thursday, the company's stock jumped 73 percent in its first day of trading, creating hordes of new millionaires -and even a few billionaires.

For some perspective, here's a look at how other prominent technology stocks did in the week following their IPO - and how they're faring now:

- Facebook Inc., the world's largest social network, first day of trading on May 18, 2012
Pricing: $38 per share

Monday, November 4, 2013

U.K. Extends Recording Copyright Term from 50 to 70 Years, Adds Artist-Friendly Rules

The amendments to European copyright laws first voted on by the European Union parliament in 2009 and ratified in 2011 have, another two years later, been implemented in the U.K. as of today, November 1st. 



The new rules append another 20 years to the copyright term of sound recordings, meaning that records will not be eligible to enter the public domain until 70 years after the work's first publication. The rule changes were the result of a concerted lobbying effort from the international and European recording industry, members of which sought to harmonize European copyright law with that of the United States, which has a copyright term of 95 years.

While the changes will have appreciable benefits to older artists -- especially the three additional rules, explained below, which take effect for the last 20 years of copyright term which the EU put into the law specifically for the benefit of artists -- major labels will, of course, see the lion's share of benefit. (Worth nothing: The change does not effect the copyright term for compositions.)

"The new rules bring lasting benefits for our world class recording artists," said U.K. Intellectual Property Minister Lord Younger in a statement. "Artists who performed on sound recordings will benefit from this extension of copyright protection from 50 to 70 years. The changes should help ensure that musicians are rewarded for their creativity and hard work throughout their careers."

The three, "final twenty" rules mentioned previously are:
  • The ‘Session Fund’ -- Where 20% of revenues from sales will go to performers such as session musicians
  • The ‘Clean Slate’ provision -- Where royalty advances paid to performers by producers may not be deducted from those performers' payments
  • The ‘Use It or Lose It’ clause -- This allows performers and musicians to reclaim their performance rights if they aren't being "commercially exploited."
The last above is may be the weakest, since it would seem to require performance rightsholders take relatively minimal action to demonstrate that they continue to commercially exploit a recording.
The rule changes will prevent now-classic recordings from the mid-'60s -- an especially fertile period for British music -- from entering the public domain in the European Union -- well, except for one.

Behind The Data: YouTube Music Awards – Did They Make The Right Nominations?

The moment is fast approaching, when video-streaming platform YouTube will go the way of television networks and music associations alike, and launch their very own awards show.




Sunday night's live-streamed YouTube Music Awards will take place at New York’s pier 36, and the list of celebrities guesting the stage include everyone from Katy Perry to Tyler the Creator to Arcade Fire. Nominees for the inaugural set of awards were announced last week-- only six categories in total -- ranging from Artist of the Year to Phenomenon of the Year. While the modest approach indicates that they are rolling out an event that should be taken seriously, critics have argued that YouTube failed to capitalize on the wide variety of content that lives on the site, despite the fact that Epic Rap Battles Of History is honored more than once.
Macklemore & Ryan Lewis, who led the pack in nominations with a nod in four out of six categories, clearly had a good year. The Seattle-based rapper and producer team took the music industry by storm in 2012, with the release of “The Heist,” and have seen their online fan base grow exponentially. The pair now count a total of more than 3.2 million Facebook page likes, and more than 2.8 million of these added since Oct. 1 2012  to Oct. 1 2013.  In that time, their Twitter following increased by close to 1.7 million, and they saw nearly 15 million Wikipedia page views -- a staggering increase of 247,000%.

As for overall YouTube video views, Macklemore & Ryan Lewis do not top the list in comparison to fellow Artist of the Year nominees, but do see the highest percentage increase at a bump of more than 5,000% percent compared to the year before. The top spot unsurprisingly goes to PSY, who counts close to 2.5 billion views in that time period. Runner-up Justin Bieber saw north of 1 billon. Taylor Swift, Rihanna, and Katy Perry all have a significantly lower number of views, given that their official channels are all hosted by partner channel Vevo, but are still considered to be in the running. 

Using YouTube detections to rank the top played tracks on the site this year, only a few of the nominees from the Video of the Year category actually make the top ten, namely Macklemore & Ryan Lewis’ “Thrift Shop feat. Wanz,” Miley Cyrus’ “We Can’t Stop,” and PSY’s “Gentleman.” According to this list, Ylvis’ “The Fox” and AWOLNATION’s “Sail,” who were not nominated might also have merited a nod.

(CHART COURTESY NEXT BIG SOUND)
The candidates for Response of The Year are a list of well-known YouTube celebrities, who have made a name for themselves through the platform. Most, if not all of the nominees, have subscriber counts in the millions, higher numbers in fact than most of the artists nominated for Artist of the Year. At close to 3.5 million in total, Violinist Lindsey Stirling has six-fold the number of subscribers that Katy Perry can boast (see chart above).

As for artists who might have been snubbed, Ariana Grande, Drake and Imagine Dragons all have tracks with a high number of detections, but are nowhere to be found on the list.

The choices for the Most Innovative category are far less mainstream, from Bat For Lashes to Toro Y Moi. The artists behind these videos have fan bases on Facebook between 50,000 and 300,000 page likes, versus the millions that artists in previous categories can boast. Only one of these videos, Atoms For Peace’s “Ingenue,” has seen view counts in the millions on YouTube. The criteria behind the nominations are slightly different in this instance, and reflect a more subjective aesthetic evaluation. 

Despite the small number of awards to be handed out Sunday night, and the potential for much more creative categories such as best goat video or top shake setting, YouTube has put together a night that will have a little bit for everyone.

Adele Recorded A 'Filthy' Rap, Said She'd Sue If Anyone Ever Heard It

Best known for her soul-driven pop songs, Adele isn't afraid to rap, apparently.


U.K. rapper Tinie Tempah, whose 2010 debut Disc-Overy landed him a Mercury Music Prize nomination, is back this week with his long-awaited sophomore LP, Demonstration. He stopped by Alan Carr: Chatty Man, the UK's answer to late night, to discuss the project but revealed a surprise collaboration with the somewhat-reclusive Adele that dates back to 2011. 

"She was with me and Labrinth in the studio when he recorded 'Earthquake'," said Tempah of Adele, recalling his previous collaboration with his fellow UK emcee. "Nobody really knows this. She recorded a rap and she told us that if we ever played it to anyone she would sue us. So when you talk to her next, ask her about the rap. It is really filthy as well."

This isn't the first time Adele's name has been mentioned when it comes to hip-hop. Last month, Wiz Khalifa revealed that he and the British chanteuse had put in work on his O.N.I.F.C. follow-up. She also worked with famed hip-hop producer Rick Rubin on 21.

Adele has kept a relatively low profile since welcoming her son Angelo a year ago. Her last album was 2011's 7-time Grammy-winner 21, and she also scooped up an Oscar this past February for Best Original Song for "Skyfall." She is rumored to be in the studio working on 21's follow-up. No word if she will rap on that ... yet.

Tempah's new album Demonstration is out on Nov. 4.

Artist Of The Year At Inaugural YouTube Music Awards


Eminem Wins Artist Of The Year At Inaugural YouTube Music Awards

Eminem has won a variety of awards over his career, including a bevy of MTV video music awards and even an Oscar. Now he has another to add to his collection.

Slim Shady has won artist of the year at the inaugural YouTube Music Awards, which is currently being held in New York.The award came only minutes before he performed a live rendition of his fiery single “Rap God,” which is off his newest album, The Marshal Mathers LP 2. Em took over YouTube’s Twitter account last week to answer questions in promotion of his performance and the award show.

Elsewhere, Macklemore and Ryan Lewis won the show’s breakthrough award, which represents the biggest growth in YouTube video views over the past year.

Nicki Minaj On Kendrick Lamar’s “Control” Verse: “I’m The Queen Of New York, I’m The King Of New York”

Though some people consider Nicki Minaj one of the dopest lyricist in the game, she was noticeably missing from Kendrick Lamar’s list of hot artist in his now infamous verse on Big Sean’s track “Control.” Nicki recently chopped it up with The Breakfast Club following her performance at Power 105.1′s Powerhouse 2013 and revealed her feelings on not being included in the list of rappers K. Dot name checked. “I’m probably in the top five he did mention so go and do your research. Straight up and down,” she said. “I also feel like maybe he is one of the respectful gentleman that probably wanted to feel like I didn’t want to say a females name. Or maybe he don’t think the kid is ill but the kid know the kid is ill,” she added speaking in third person. 

Bringing the point home that she is an artist to be reckoned with, she emphatically added, “I’m the queen of New York, I’m the king of New York. Let me tell you why. Platinum albums, plural. Number one in five motherf#cking countries. Don’t play with me. You better respect my motherf#cking gangster, b#tch.”