SiriusXM Adds On-Demand Music and 600,000 Subscribers
-- SiriusXM is the latest radio company to launch an on-demand
service that allows people to listen to what they want, when they
want. Well, sort of.
Launched Tuesday,
SiriusXM On Demand gives SiriusXM Internet Radio subscribers the
ability to tap into a catalog of more than 200 shows containing more
than 2,000 hours of content. All on-demand features will come at no
extra cost.
More on-demand content is on the way later this year. SiriusXM CEO Mel Karmazin said during Tuesday's earnings call
an Internet service that will deliver "expertly-curated music
channels" is on target for a late 2012 rollout. He said the upcoming
service is part of SiriusXM's "Personalized Radio Project," which
sounds like SiriusXM is pushing to introduce something akin to the
algorithm-driven, personalized Internet radio pioneered by
Pandora.
SiriusXM On Demand will have such
music shows as "Bob Dylan's Theme Time Radio Hour," "Tom Petty's
Buried Treasure," select Jimmy Buffet concerts and items from the
SiriusXM vaults. Subscribers will also have on-demand access to talk
shows ("The Howard Stern Show," "The Opie & Anthony Show").
On-demand programming will have "minimal" commercials while music
programming will be commercial-free.
You
may be asking yourself how a satellite radio company can offer
on-demand music, talk and other programming. SiriusXM On Demand is
available to subscribers to SiriusXM Internet Radio, the company's
online offering that can be accessed via the Web and a variety of
smartphones, mobile devices and Internet radios. SiriusXM On Demand
is currently available only on the Web and iPad, iPhone and iPod
Touch.
On-demand content wasn't the
company's biggest news Tuesday. SiriusXM announced record earnings
of $237 million on record revenue of $838 million. Net income of
$3.1 billion included a one-time income tax benefit of $3 billion.
The company added 600,000 subscribers in the second quarter -- up
38% year over year to 22.9 million -- and increased guidance for the
second half of the year. Karmazin said during Tuesday's earnings
call that SiriusXM should have 23.5 million subscribers by the end
of the year.
The company's stock was up 4.55% to $2.30 on Monday and is up 9.87% in 2012.
The combination of the new on-demand service and Monday's
positive earnings create an even more active digital radio market.
SiriusXM On Demand is competing in the same arena as Pandora,
iHeartRadio, Spotify and other online streaming services -- it's not
always direct competition, but it's competition.
SiriusXM needs to improve its service to hold off free,
ad-supported alternatives such as Pandora. It gets most of its
subscribers from automobile owners, which makes efforts to push the
value of its online services all the more interesting. Setting aside
the cost of the hardware, SiriusXM has a competitive price given
its range of live and exclusive programming. Bolstering the
satellite service with additional online service can only help.
U.S. Music Biz Should Love Ziggo Muziek's Business Model
-- A music subscription service you've probably never heard of
already has 350,000 subscribers, is launching in another country
and has had strong subscriber acquisition success on a per capita
basis.
Dutch ISP Ziggo has launched a
music streaming service called Ziggo Muziek, a branded version of
the white-label service WiMP. The service has roughly 350,000
subscribers and is also available in Norway, Sweden, Denmark and, as
of May 2, Germany.
WiMP doesn't get much
attention on these shores but has a business model the U.S. music
industry should love. Oslo-based Aspiro Music developed WiMP and
provides it to mobile operators, broadband ISPs, cable TV companies
and other entities as both a white label and a WiMP-branded service.
Telenor, the world's sixth-largest mobile carrier, is WiMP's
partner in Denmark and Norway. Canal Digital, Norway's largest TV
services company, offers WiMP in its TV subscription packages.
WiMP's numbers are small by U.S. standards but it operates in
relatively small markets. Its biggest market, Germany, has been in
the WiMP family for only three months. It has only entered the Dutch
market.
Getting 350,000 subscribers in
Norway, Sweden and Denmark shows WiMP has a good approach. While
these markets are digitally innovative and welcoming to music
subscription services, they are also very competitive markets where
services like Spotify also compete. So getting 350,000 subscribers
through mobile carrier, TV and ISP partnerships seems like quite a
success.
How successful is 350,000
subscribers in Norway, Sweden and Denmark (setting aside the two new
markets)? The three countries have a combined population of roughly
20 million -- just slightly bigger than New York State -- giving
WiMP a 1.75 subscription/population ratio. If that ratio were
applied country the size of the U.S. (311.6 million) a music service
would have 5.45 million subscribers. That's more than Rhapsody,
Spotify, Muve Music, Rdio and Mog combined.
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